Having horrendously neglected my blog, I realised I should probably start showing it some TLC after mentioning it on several recent job applications. In truth at the moment it acts as a mere example of how I can throw my all into something creative and at the drop of a hat leave it to rot when University gets in the way... Please employ me... help.
Adoring my new role at Gillian Million, especially relishing the lush task of compiling a mood board for s/s '13. Channeling a mixture of Great Gatsby 20's luxe with super feminine garlands the result is opulent yet fresh. Lightly luxe.
Wednesday was the night of the sexy LA themed Forever 21 launch party on Oxford Street.
The night was a super cute fun-fest of carousels, treat-filled beach huts and wigwams serving ice cold elderflower and prosecco cocktails.
Chicks on roller skates, skateboarders and Bip Ling on the decks made for magic.
Sozums for the crap mobile shots, my camera is on the blink.
The good pics are all courtesy of The Daily Mail. Cheersss.
I found a giant E and got a bit excited.
But undoubtedly my favourite part of the night was the mind-blowing hologram catwalk that appeared as 3D without a need for the dodgy glasses. The hologram girls and boys appeared from mind bending angles around the stage, upside down, vertical, even entering on invisible steps; all the while surrounded by flouro paint which splashed like rain.
This is the only video I could find of the catwalk, and obviously it doesn't really do it justice but you get the idea chickas.
Pretty much blown away by Christopher Kane's 'Resort' collection which has followed on from 2010.
Although it's not new to me.
I loved it when it first surfaced last summer and it seems that it's not just me that thinks that the natural images of space are quite frankly more beautiful than any man made print. The high street aren't quite there yet, but there's a definite sense of using a photographed image as a pattern print without messing with it.
